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Last Post Apr 23, 2002 6:09 PM by: daphne@ebay.com
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paperandpixels
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Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 2:51 PM
Greetings, and welcome to the "Art of Original Printmaking" workshop. I'm paperandpixels, or Marc Snyder if you prefer, and printmaking has been an important part of my life for a long time. My background includes receiving my MFA in printmaking from Indiana University, teaching printmaking and drawing as a college professor at Georgia College & State University for nine years, and directing eight national printmaking exhibitions. Some of my happiest moments have been spent in a printshop, and I'm delighted to have this opportunity to share with you some of the reasons why I'm so fond of this strange, beautiful, labor intensive and indirect way of making artwork! In this workshop I am going to present the major processes involved in original printmaking, a bit of their history, some examples of these prints, and a brief demonstration of how to make a linocut, for those of you who would like to actually get ink on your hands. I hope it will be valuable for both art buyers and artists interested in making prints.

I've chosen to illustrate several of these posts with artwork by contemporary printmakers, hoping to give you some hint of the vibrancy and excitement of contemporary printmaking. I will also refer to certain printmakers from art history, whose work you should easily be able to find on the web. I will include some resources at the end of the workshop, should you like more information on this topic.

The copyrights to the artwork I am showing are owned solely by the artists, and the artwork should not be duplicated for any reason without the artists' permission.

paperandpixels, "art of original printmaking" workshop host
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daphne@ebay.com
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:03 PM
Welcome back, paperandpixels!!!

And welcome to everyone who is joining us tonight. :)

Paperandpixels is a true expert in his field and we're lucky to have him with us. He's been a college professor of print making, and he's organized national exhibits. He's also a regular on our Art & Artist discussion board, where he frequently helps others. And of course, he is a self-representing artist who sells his original art on eBay. :)

To our host and our guests...thanks so much for spending another night on the workshops board.

Remember, we love these to be interactive, so please post your questions and commnets... or if you are just here to 'watch', post a 'hello' so we know you are with us. :)

Also if you haven't done so already, I'd urge you to check out his tips on buying art by reading the archived workshop he co-hosted called "Self-Representing Artist Workshop Series: Art Buying 101".

What our lawyers ask me to say... ;)

Note: The statements and opinions made in this discussion board are those of paperandpixels only and do not reflect eBay policy or eBay's opinion with respect to such statements.


Daphne
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:06 PM
What is an original print?

Original prints are artworks made using any number of printmaking methods chosen by the artist for their unique and interesting visual qualities. The artist chooses that method which provides him or her with the visual qualities most appropriate to the image that is being created. The artist creates a printing element or matrix to which he or she applies ink, and then transfers this ink to another surface, typically paper, creating a print. The fact that the artist can do this several times, creating multiple images from the same printing matrix, does not detract from the print's status as an original work of art. The printing element is only the tool the artist uses to create the artwork - the print is the art. For a more thorough discussion of the difference between an original print and a reproduction (a print that is duplicating artwork first created in another medium, such as a painting) you might want to see the "Art Buyer's" workshop on this workshop board.

The important question for this discussion is why should an artist go to the trouble of making prints in the first place? I want to look at all of the different types of prints and explore their unique visual strengths. Each process has its own unique look, and can allow the printmaker to create images that are impossible to achieve in any other medium. I believe that it is for this reason that artists still master these strange and antiquated technologies for making multiples.

paperandpixels, "art of original printmaking" workshop host
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:08 PM
Antique technology

I referred to the processes of printmaking as "antiquated technologies" in the previous post. Something that I enjoy about printmaking is its utilitarian history. Printmakers are artists using antique technology to make original contemporary art. At one point, all of the printmaking processes we are looking at in this workshop were the best and most efficient way to produce multiple images. The history of printmaking is the history of images that were meant to be distributed inexpensively, and printmaking's role as a democratic communicator of ideas is one that appeals to many artists today. So why use these old technologies now? Whenever a certain method of making prints was replaced with something newer and more efficient, there was always a trade. Invariably the new process allowed for faster and more cost effective printing, but often the old technology had unique visual qualities that someone found attractive. Artists would pick up these old methods and use them solely for what they could bring to their artwork. The fact that artists still make woodcuts today, centuries after woodcut has been replaced with far easier ways of making multiples, is because nothing else looks like a woodcut. And this is the case for all of the printmaking processes. So what are these processes. . .?

paperandpixels, "art of original printmaking" workshop host
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:15 PM
The four traditional process categories in printmaking, and a newcomer

Traditionally, the methods of making original prints are divided into four families, these being relief, intaglio, lithography, and silkscreen. Each family is based on the way the ink is carried from the printing element or matrix to the paper. Consistent with our definition of an original print, each method involves the artist creating a printing element by either carving a block (relief), etching a plate (intaglio), drawing on a stone (lithography), or creating a stencil (silkscreen), after which this printing element is inked and the ink is transferred to a support (typically paper), creating the print. There is a fifth type of image out there, however, that many feel is part of the printmaking family, this being the digital print. Though traditional printmakers are uneasy with the less tactile quality of creating the printing element, we could consider the digital file to be that artist-created matrix, which, when used together with a printer, can produce multiple original works of art. At many of the printmaking conferences in the past few years, the subject of the digital print has been a hot topic, and it is now widely accepted in printmaking exhibitions and in professional printshops as the fifth family of printmaking techniques.

We will now look closely at the traditional four categories of prints. We'll look at them in chronological order of their discovery, and I will try to show what is unique enough about them to make artists want to go to all that trouble.

paperandpixels, "art of original printmaking" workshop host
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:21 PM
Relief Prints

The first family of prints we will look at is relief prints. A relief print is one in which the raised surface of the printing element carries the ink and creates the image. Typically, the printing element is a block of wood or linoleum that has been carved, with the non-image areas carved away, leaving behind those areas that will carry the ink. When the artist is carving the block, he or she has to think of the gouge as a tool making a negative mark - the cutting is creating the white marks, and what is being left behind will be black.

Relief prints are the oldest form of printed images. In Europe, we can find woodcuts dating back to the late 14th century. The history of printmaking goes back farther in time in China, where we first encounter the idea of printing multiple images from relief blocks. The earliest woodcuts we find in China are from the late 9th century! China also contributed an enormously crucial element to the history of the printed image; the invention of paper. The legendary date for its invention in China is 105 AD. Paper was introduced into Western culture in the 12th century.

One of the first artists to produce prints as a significant part of his artwork was Albrecht Durer, in the late 15th, early 16th century. His work with the gouge was astonishing. Among his many amazing prints was a 10' x 9'4" print created from 192 blocks!

Relief prints are characterized by sparkling areas of black and white. The ink is rolled onto the surface of the block, the block is then printed on a press or by hand, transferring the ink to the paper. There are no physical greys in a typical relief print, which is one of the reasons they often pack such a graphic punch. Only optical greys - greys the eye itself creates by "combining" small areas of black and white - are available for the artist to create the illusion of modeling. Relief is a very demanding process, as you can't go backwards; once you've cut something away, it's gone! But the rewards are high, as no other medium gives you the possibility of placing a jet black next to a pure white with such crisp, sharp lines as you find in the relief print.

paperandpixels, "art of original printmaking" workshop host
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:26 PM
Relief Prints - Woodcut

A woodcut is, not surprisingly, a relief print where the block being carved is a piece of wood. Artists making woodcuts have many choices to make concerning which wood they will use, as different types of wood will print in different ways. For instance, when Edvard Munch made his woodcuts, he chose a wood with a very pronounced grain, which became part of the imagery of the print. Wood can be treated so that the grain becomes a highly raised surface, a relief surface ready to print before it has even been carved! Some printmakers prefer wood with a much more anonymous surface, where only the gouge produces the image. The resistance of the wood to being cut adds to the image - in many woodcuts you get an active sense of the artist fighting the hard wood, tearing the image from the plank. If this sounds interesting to you, you should check out the rich prints of many of the German Expressionist printmakers, such as Erich Heckel, Emil Nolde, and Max Pechstein.

Here's an impressive large woodcut by a contemporary artist, Myrna Yoder





Myrna Yoder, "Marselle", woodcut, 27" x 38"


paperandpixels, "art of original printmaking" workshop host

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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:33 PM
Relief Prints - Linocut

A linocut is a relief print where the block being carved is a piece of linoleum. This is a 20th century innovation on the woodcut, with the linoleum being much softer, and therefore much easier to cut. Curving strokes are much easier to create, for instance, because there is no grain to resist the gouge. Picasso was one of the first artists to make original prints with linoleum. Linoleum's strength is to some artists' eyes also its weakness - it is a very anonymous surface, with none of the "character" of a piece of wood. But for many artists, the control possible with linoleum is a great advantage over wood.

Later in this workshop I will give you step by step instructions on how to make a linocut, as this medium requires only non-toxic and relatively inexpensive materials while still producing a real graphic punch.

Here's a fine example of a linocut by Marti Haykin. Notice how fluid her curving lines are here - this would be difficult to achieve when carving a piece of wood:



Marti Haykin, "Self-Portrait with Spinal Cord and Medulla", linocut, 5" x 7"

paperandpixels, "art of original printmaking" workshop host

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westofwalden
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:37 PM
Hello Marc! Great information you have posted, and I love the woodcut of Myrna!
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:39 PM
Hi, welcome aboard! That is a beautiful woodcut! There will be more prints coming up. . .
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:40 PM
Relief Prints - Any raised surface that you can print!

A relief print is not defined by the material being cut. It is simply an approach to making prints. Woodcuts and linocuts are by far the most common form of relief prints you will encounter, but there are many other possibilities. Relief blocks can be assembled from various materials glued to a support. Rubber stamps are a form of relief print. Any rough surface has the potential to be incorporated into a relief print. As long as you can roll ink onto it without destroying your brayer, and then transfer the ink onto another surface, you're making a relief print!

paperandpixels, "art of original printmaking" workshop host
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jeneelind
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:40 PM
Hi Marc,

Are you going to talk about using color in linocut artwork.

Jen
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paperandpixels
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:44 PM
I am going to talk about color in general a little later on, but most of my discussion focuses on black and white images. Generally speaking, every color is printed individually. You either cut separate blocks for each color, or you can work reductively from a single block, printing, then cutting, then printing again.
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daphne@ebay.com
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:44 PM
Welcome, westofwalden and jeneelind *wave* ..
I'm so glad you came tonight! :)

Daphne
eBay Community Development
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Click here to read the latest Community Chatter Newsletter.
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bluemoonantiquesetc
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Re: Self-Representing Artist Workshop Series: The Art of Original Printmaking

Apr 23, 2002 3:44 PM
Hey, Marc..among the materials you've listed, linoleum must be the least durable and probably least productive for the artist..?...
How much mileage can you get from the various media?
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